All posts by Greg I. Hamilton

Staying Thrifty in a Time of Sufficiency?

The ninth point of the Scout Law reads: “A scout is thrifty.” In recent years the idea of thrift has seemed to mean buy stuff cheap. But can it be thrifty not to buy stuff at all? Is it un-American, in the face of a recession, not to “do our part to fuel the recovery” (by buying cheap plastic crap manufactured overseas)? Oh dear, perhaps I reveal a bias. I’m into thrift, but not in the sense of accumulating more stuff at lower prices.

It’s the old theory: he who dies with the most toys wins. Except I always preferred the revision: he who dies with the most toys still dies. So— let’s journey to the heady days of the 14th century, when thrifty meant thriving and prosperity. Back then, if memory serves, “prosperity” might have been defined as not being among the one in three Europeans who died of plague.

The current recession is no Black Death, but it’s not so very cheery for many people who are suddenly discovering thrift in the stingy sense. If, instead of worrying about the quantity of stuff we may or may not be able to afford, what if we gathered up what we do have and made the most of that? One of my favorite tree huggers, Dana Meadows, often confronted this very dilemma and typically looked to the planet itself for guidance:

If you stop your struggle and lift your eyes long enough to see Earth’s wonders, to play and dance with the glories around you, you will discover what you really need. It isn’t that much. There is enough.

Take the desperation out of the picture, slow down and listen to the trees a while, and this concept of sufficiency doesn’t seem as crazy as its ugly cousin, the fear of scarcity. The panic of depletion is one that ironically escalates the entropy: people compete to hoard and consume scarce resources before they’re gone.

If, however, it’s possible that there really is enough here for all of us, then all of a sudden the perspective shifts from “git mine while I can” to “whoa, let’s make sure there’s enough for all.” This concept of sufficiency is not extreme: it’s not saying there’s more than enough; it’s saying there could well be just enough. In the same essay quoted above, Meadows continues in this vein. Here, she speaks to us as if in the voice of Mother Earth:

Take your time building soils, forests, coral reefs, mountains. Take centuries or millennia. When any part wears out, turn it into food for something else. If it takes hundreds of years to grow a forest, millions of years to compress oil, maybe that’s the rate at which they ought to be used.

And while she has an earful for those who listen to the so-called laws of economics over the laws of the Earth, she is ultimately after thrift. She takes the word’s 14th-century sense, which may have hinted at simple survival, and adds a modern, joyous sense of thriving thriftily:

The planet does not get bigger, it gets better. Its creatures learn, mature, diversify, evolve, create amazing beauty and novelty and complexity, but live within absolute limits.
— “The Laws of the Earth and the Laws of Economics” by Donella “Dana” Meadows

Any chance this was the intent of a law memorized by millions of scouts over the past century? Here’s what the Handbook says:

A Scout is Thrifty. A Scout works to pay his own way and to help others. He saves for the future. He protects and conserves natural resources. He carefully uses time and property.

Hmm. Maybe the Boy Scouts in 1910 were on to something those plague survivors figured out in the 1300s?

Thanks for reading. Cheers,

Greg

P.S. The previous blog in this series was the cheeriest anti-scrapbooking rant you ever read.

Photo by SteamboatDigs

I Am a Tyrant to Scrapbookers

Part of a 12-blog series for the 100th anniversary of the Boy Scouts.

Scout Law point #8: “A scout is cheerful.” Or else.

Does that really have to be a law? Doesn’t making it a law take some of the cheer out of it? Or if you’re really cheery, does it matter what’s required and what’s optional?

As my own form of happy lawlessness, I’ll more or less completely shift gears now. We are social animals. It’s not natural, or particularly cheerful, to be a recluse. Don’t believe the writer’s conceit: that we’re actually writing down real experience. Ideally we go out and live life for a while, jot some notes in our pocket spiral pad, and eventually hole up somewhere to try and write down what happened. It’s kind of like scrapbooking. Creepy, right? Sorry scrapbookers, but you aren’t exactly living in the present, are you?

Perhaps I underestimate the present-tense appeal of photo corners, squiggly scissors, and puffy paint. But look at the photos you’re pasting in there: you saved them and you’re sharing them for a reason, right? Probably a particularly happy time? Or a moment that brings past emotions forward to the present where they clash with our current state of mind? That might explain the night I spent many months ago, picking photos of my brother’s dog, Brutus. It was a tribute, a sort of scrapbook I created, on the day I heard he died.

Yes, we should learn from the past, but I think we underestimate our need to find something to be cheerful about in the present. Some big brain once said we only use 10 percent of our brains. I think that’s good: brains are overrated. What if we stopped trying to use our brains so much and let current experience inform our guts, our hearts, those less brainy parts of ourselves that control critical functions like, oh, say, keeping our hearts beating and our lungs breathing.

When we realize that there are physical costs we pay for emotional stress— hello backaches, migraines, ulcers, heartburn, and all the follies of the accident-prone multi-tasker— we realize maybe we should take better care of these machines that surround and transport us physically through the world. Without these little flesh and bone jalopies of ours, we would be naked ghostly psyches roaming the world passing our wispy hands right through all the faces we actually long to touch. Don Hertzfeldt illustrated a bizarre variation on this— a population of brains attached to spinal cords roaming the earth— in his animated short, Everything Will Be OK.

I’m a tyrant to scrapbookers? It takes one to know one. I love the past: I dwell there often in my career and in my hobbies. But I’ve learned to believe that if it’s really that magical, we shouldn’t dwell there. Bring that magic back to our world here and now.

I’ve been calling Steve’s new dog ‘Brutus.’ All it took was a little present-tense wrestling, a few toy-stealing antics that were purely Flash (and nothing to do with Brutus), and I’m cheerfully back from scrapbook la-la land, loving the present.

Thanks for reading. Cheers,

Greg

Photos © SeattleHamiltons

If You Could Perform Yoga to Iron Maiden …

Roderick Romero, co-frontman of Seattle’s Sky Cries Mary has braids Willie Nelson would covet and a disheveled suit worthy of the Flaming Lips’ Wayne Coyne. His voice is the occasionally ferocious yin to his wife Anisa’s ethereal yang. Together they carve slices out of the sky and serve them to the audience, like lovers who brush the silverware off the table, finger-feeding each other the last bite of tiramisu.

Last night Bellingham experienced Sky Cries Mary— what Roderick coyly called his band’s style of “space rock.” Their music is so much cooler than two words can describe— or even this entry’s 514. If writing about music is like dancing about architecture, then this blog has no chance of pinning down the essence of their music. And that may be OK: nobody ever danced to pin anything down.

Last night I danced like I hoped to pluck out my own pins. The opener, “Elephant Song,” like virtually all of SCM’s music, seems to have remained largely under the radar for the past decade or three. With enough commercial appeal to grace three Hollywood films (including Higher Learning and the delightful Tank Girl), I suspect SCM’s sound is too mysterious, too rich, deep, and powerful to grab hold of the deep-pocketed, drive-thru masses that radio stations and CD hawkers are after.

[By the way, at lunch in Seattle the other day, I was telling Rivers that the film Harvest (in which SCM’s “Elephant Song” appeared), managed to triumph despite its theme of a man hunting down the people who stole his kidney. Its success for me was sprung from the relentlessly brooding mood it conjured (largely helped by the texture and angst of one of SCM’s most towering, climactic songs) along with some excellent sex scenes.]

Last night’s show had the added bonus of Manooghi Hi setting the stage. The band’s leader, lithe headbanging BombaRock diva Mehnaz Hoosein is the sort of nymph who could lure men to drop their own babies and march into mortal battle. Mortal battle, that is, of the sort that involves joyous dancing and raucous prog-rock riffs, amid unfettered cheerful enthusiasm. If you could do yoga to Iron Maiden in a Bollywood movie, Manooghi Hi might be the soundtrack.

To round out this review, Bellingham’s Wild Buffalo was the perfect intimate scene for the psychedelic transformations of SCM and Manooghi Hi. Both bands have a stage presence and wall of sound massive enough to fill stadiums, but it’s when you get up close that you see the pure passion they pour into their performances. There is even a billiards room above and behind the stage, complete with make-out couches. They don’t serve food, but you can bring in your own. The bouncer recommended the $7 (now $9) pulled pork from the Bayou Bar next door and all three of us concurred: it was a damn good sandwich sauced with plenty of fire.

SCM is playing Neumo’s in Seattle tonight. Tomorrow they play my beloved Dante’s in Portland, near the original Voodoo Doughnut. Manooghi Hi will again be providing the opening workout: don’t be late.

Thanks for reading. Cheers,

Greg

Photos by Sky Cries Mary & Manooghi Hi